Selected Press
Surprises and favorites at new pop-up exhibit at Featherstone, July 1 – Aug 2, 2022
Chilmark: Smell the wild roses, July 2 – 30,
On The Other Hand at the Chilmark Library: Martha’s Vineyard, MA, July 1 – July 21, 2022
BmoreArt, “Sitting in Uncertainty”, Katie Hartley, May 18, 2022
The Washington Post, “Women take the spotlight in a pair of art shows at the A.U. Museum,” Mark Jenkins, March 2, 2022
ArtBlog, “Powerful show of art by women and non-binary artists working in the region today, at the Delaware Contemporary”, Susan Isaacs, December 15, 2021

The Washington Post, “In the galleries: A heightened homage to trees and what they can teach us”, Mark Jenkins, May 7, 2021
The Washington Post, “Outdoor sculpture show harnesses the power of the sun, literally and figuratively,”  Mark Jenkins, September 1, 2020″
The Kreeger Museum presents Objects from the Studio: The Sculptor’s Process, February 13, 2020
UMD Interview – October 2019
The Washington Post, “In the galleries,” Mark Jenkins; August 9, 2019
Vineyard Gazette, “Going Big on the Gallery Scene,” Louisa Hufstader; July, 22, 2019
MV Times, “Carol Brown Goldberg unearths a world of foliage,” by Brooks Robards, August 15, 2018
Featured on WUSA 9, “Exploring the outdoor space at Martha’s Table,” June 7, 2018
White Hot Magazine, “Donald Kuspit on Surreal Nature: Carol Brown Goldberg’s Entanglement Series” by Donald Kuspit, May 2018
Art Daily, “American University Museum spring shows feature science and art entangled, Zapotec myth and magic, among others,” April 3, 2018
Reading Eagle, “Reading Public Museum brings sculpture outside,” Ron Devlin; October 14, 2017
“Finding Herself Through Art, Guided by Intuition,” August 3, 2017
ArtfixDaily, “Frost Museum Explores the Metaphysical Relationship Between the Arts, Science and Nature,” April 18, 2017
eGlobal Travel Media, “Tangled Up in Supernatural Realms,” April 10, 2017
Art Daily, “Nature, science, and art intertwine at the Patricia & Phillip Frost Art Museum FIU,” April 8, 2017
SciArt Magazine, “REVIEW: Tangled Nature at the Frost Art Museum,” Betty Milonas; March 28, 2017
FIU News, “Frost super-murals a collaboration of hundreds,” Gisela Valencia; March 20, 2017
The Washington Post, “In the galleries: ‘Micro-Monuments’ that take on a global perspective,” Mark Jenkins; September 24, 2016
The Washington Post, “In the galleries: Carol Brown Goldberg,” Mark Jenkins; April 1, 2016
Feature: DC Modern Luxury, “Paradise Found,” by Holly Mazar-Fox, March 2016
Interview: Open Prairie, “Carol Brown Goldberg: A Personal Journey;” Leda Cempellin, 2015
Interview: Juliet Art Magazine, “Carol Brown Goldberg: A Personal Journey;” Leda Cempellin, October – November, 2015
Montclair State University, “New Sculpture on Campus by Artist Carol Brown Goldberg;” August 17, 2015
The Washington Post, “In the galleries: Out of nothingness – art,” Mark Jenkins; August 14, 2015
MV Times; “An Arresting Display at A Gallery,” Gwyn MacAllister; August 12, 2015
MV Times; “Chilmark,” Valerie Sonnenthal; February 12, 2015, “Carol Brown Goldberg Sculptures Coming To Foosaner,” Adam Lowenstein, September 14, 2014
The Washington Post; “Sculpture gives a nod to nature,” Mark Jenkins; November 30, 2014
VeroNews; “Two shows feature works of Carol Brown Goldberg,” Ellen Fischer; September 11, 2014
Artist? The Hypothesis of Bodiness. by Fre Ilgen; 2014
Reading Eagle; “’The Circle of Time’ expands abstraction,” Ron Schira; December 1, 2013
Vineyard Gazette; “Chilmark,” Janie Slater; November 8, 2013
Arts & Ideas Magazine; “Artist Profile; Carol Brown Goldberg,” Summer 2013
Washington Art Matters: Art and Life in the Capital 1940-1990. by Jean Lawlor Cohen, Sidney Lawrence, Elizabeth Tebow; 2013
The Huffington Post; “Haiku Reviews: From Atmospheric Abstractions To Semi-Operas,” Peter Frank; September 11, 2014
The Washington Post; “Coded messages, big and bold,” Michael O’Sullivan; June 7, 2013
Where Magazine; “The D.C. Eight,” Jean Lawlor Cohen; May 2013
The Washington Post; “Space and light, right on the dot,” Mark Jenkins; January 4, 2013
The Washington Post; “Critic Review for Carol Brown Goldberg,” Michael O’Sullivan; December 21, 2012
The Washington Post; “Museum keeps things fresh this fall,” Michael O’Sullivan; November 23, 2012
The Washington Post; “Signals’ shows there’s plenty going on in the Washington art scene,” Mark Jenkins; November 9, 2012
The Washington Post; “Gallery Opening of the Week,” Michael O’Sullivan; October 12, 2012
GW Today; “Artist Creates Outdoor Sculpture for University;” Julia Parmley; September 14, 2012
Catalog Cover; “Art Sante Fe,” July 2012
The Washington Post; “Carol Brown Goldberg,” Mark Jenkins; April 2012
Essay: in Carol Brown Goldberg; Sculpture and Works on Paper. Meanders by Christopher Addison, The George Washington University, 2012
The Washington Post; “A Viewpoint; Women Making Sculpture,” Michael O’Sullivan; November 2011
Washingtonian; “Take a Look at That!” Kathleen Bridges, October 2011
The Montclair Patch; “The Cosmic Everyday: Carol Brown Goldberg – Painting and Sculpture,” Carol Selman, October 2011
Essay: in Carol Brown Goldberg; Painting and Sculpture. The Transpersonal and the Personal by Donald Kuspit, George Segal Gallery, 2011
Interview: in Carol Brown Goldberg Painting and Sculpture. Thinking With Things with Glenn Harper, George Segal Gallery, 2011
La Crónica de Hoy; “Mi pintura busca plasmar la evolución del tiempo: Carol Brown;” Juan Carlos Talavera; February 27, 2010 (Culturas)
The Washington Post; “Churning through D.C.’s studios to find the ‘Cream;’” Jessica Dawson; December 18, 2009 (Style C1)
Valley News; “Physics Inspires the Paintings of the Renowned Artist Carol Brown Goldberg; Show Opens in January;” December 16, 2009
El Norte; “Integran en expo luz, ciencia y color;” November 18, 2009
El Norte; “Une arte y ciencia,” Abraham Vázquez; October 29, 2009 (VIDA 13)
El Norte; “El caos y la belleza,” Guadalupe Loaeza; October 10, 2009
ABC; “Una opción por lo Bello,” María Candela; August 8, 2009; “La Casa de Vacas se abre a los colores y círculos cósmicos de Carol Brown Goldberg;” August 4, 2009
The Gazette; “Science, Spirit Combine in Works by Carol Brown Goldberg,” Claudia Rousseau; July 1, 2009
La Opinión; “Carol Brown muestra en Murcia su passion por la física y el Universo,” A. Guardiola; June 18, 2009 (46)
Elfaro; “Carol Brown reivindica la física del arte abstracto con su polícroma ‘Obra Reciente,’” María Astilleros; June 18, 2009 (Cultura 28)
La Verdad; “Carol Brown Ilena Los Molinos del Rió de miles de cristales pulverizados;” June 18, 2009 (54)
El Mundo, Valladolid; “Carol Brown exhibe su abstración geométrica y luminiscente en la Fundación Gabarrón;” October 8, 2008, no. 6.869
El Día de Valladolid; “Geometría abstracta del orden y el caos,” Daniel G. Rojo; October 8, 2008, no. 3.017
El Norte de Castilla; “Orden musical,” María Aurora Viloria; October 8, 2008, 152:59.018
ABC, Premios Gabarrón; “Brown Goldberg: La nueva abstracción,” H. Díaz; October 10, 2008
Shift: At The Frontiers Of Consciousness; Institute of Noetic Sciences; “Endpoint,” September – November, 2008
Art in America; “Report from Washington DC: To a Different Drum,” J.W. Mahoney; May 2008 (94-98)
Carol Brown Goldberg. The Shape of Time by Barbara Rose, 2007
Carol Brown Goldberg. Afterword by Jack Rasmussen, 2007
Carol Brown Goldberg. Reinventing Aura: Carol Brown Goldberg’s Abstract Paintings by Donald Kuspit, 2007
The Washington Post; “Sunday Source Pick of the Week”; September 3, 2006
Essay: Painting as Meditation by Barbara Rose, 2005
Wingspan; Cheyenne, Wyoming; Sept. 22, 2003-“Abstract Artist to Show 9-11 Thoughts’
Montgomery County Gazette; March 10, 2000-Bernice August-Portrait of an Artist
Writing from the Heart by Nancy Slonum Aronie, Hyperion Press, New York, February, 1998
George Washington Magazine; Winter 1996; Paul Claussen; George Washington and the Mystery of the Fifty Missing Shares
City Paper; August 18, 1995-Martha McWilliams; George Washington…Past and Present
The Washington Post Weekend; June 30, 1995 – Hank Burchard; Washington Crossing the Spectrum
University of Maryland; Undergraduate Program, Summer 1994; Maryland Artists Collection
Baltimore Alternative; October, 1993 – Cecelia Meisner; Patterns of Harmony and Anguish
Baltimore Sun Newspaper; October 9, 1993 – John Dorsey
The Baltimore Magazine; September/October, 1993-At the Galleries
The Baltimore Sun Newspaper; May 12, 1993 – John Dorsey
The Baltimore City Paper; May 4, 1993 – Mike Giuliano-Cracking the Codes
Art in America; July, 1992 – J.W. Mahoney – Carol Goldberg
The Washington Review; April/May, 1992 – Mokha Laget -New Works on Paper
Washington Post; February 8, 1992 – Michael Welzenbach
Washington Post; October 6, 1990 – Michael Welzenbach
The New Art Examiner Magazine; March, 1990 – Jane Addams Allen
The Washington Times; January 4, 1990 – Alice Thorson; Exhibits Redefine Washington’s Art Identity
The Chevy Chase Gazette; December 14, 1989 – Ruth Palombo; Artist Blends Physics with Chaos – Pastel Paintings
Eyewash; December 1989 – Ellen Gordon Gordon – Carol Goldberg
The Washington Post – December 2, 1989 – Michael Welzenbach-Goldberg at Osuna
The Washington Post Magazine; December 15, 1988 – Jura Koncius; Taking a Bough; Artists Deck Their Halls
Museum and Arts Magazine; September – October, 1988 – A.J. Loftin
New Art Examiner; June, 1988 – M. Laget
New Art Examiner; Art Review, Paul Bowman, 1987
Tokyo, Japan’s La Seine – August 1987 – Three Women of Washington, DC
Roanoke Times & World News; April 19, 1987 – Ann Weinstein
Virginia Tech Collegiate Times; April 14, 1987 – Andy Cohell and Terrie Gabriel
Hill Rag; March 4-18, 1987 – Cover
Washington Review; Dec/Jan, 1986 – 1987 – Roz Kuehn – Art & Function
Hill Rag; July 2-15 – Cover
New Art Examiner; Summer, 1986 – J. W. Mahoney, Washington, D.C., Carol Goldberg
The Montgomery Journal – June 6, 1986 – Linda Waters
The Washington Post; May 17, 1986 – Jo Ann Lewis, Goldberg’s Winter Wonderland
The Washington Times; May 8, 1986 – Michael Welzenbach, Goldberg’s Cutout Celebrate Joy of Color
The Washington Post Magazine; December 8, 1985 – Paul Feinberg, Artist’s Fantasies
The Washington Times; June 20, 1985 – Michael Welzenbach
Volusia Magazine; June 2, 1985 – Cover
Daytona Beach Journal; May 28, 1985 – Sharon O’Neill
The Washington Post Magazine; February 8, 1985 – Joan Nathan
New Art Examiner; October, 1984
The Washington Post; September, 1983 – Chuck Lonconi
The Washington Post; April 29, 1982 – Jo Ann Lewis
The Washington Star; April 20, 1982 – Ben Forgey; Dynamite Show of “OPTIONS” at Washington Project for the Arts
The Washington Post; July 16, 1976 – Jo Ann Lewis
The Washington Post; July 16, 1976 – Jo Ann Lewis